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A Glass Of Red Wine In China'S Fashion World

2010/5/20 11:40:00 42

UMA Wang independent designer

Uma Wang graduated from Donghua University. After working for several years, she went to the British central Saint Martin's advanced studies.2005 to create the brand of the same name in.2005. The brand takes the distinctive style of knitting series as the main line. It is good at using different fabric materials and texture. It emphasizes the perfect combination of detail and contour. It is highly sought after by European buyers and pioneer magazines for its excellent quality and unique taste. It has gained the attention of the industry in.2009.

Global life: I heard you are preparing for Shanghai fashion week.

How's the progress?

UMA Wang: at present, preparations are still in the early stage of tension. The 2010 autumn and winter series April 13th will show in Shanghai.

Global life: what do you think of the domestic market compared with the selling of your personal brand in the UK?

UMA Wang: the market in the UK is more mature than the domestic market, and the acceptance of designer brand is better.

By contrast, domestic audiences prefer the so-called "big line" cards. There are still some gaps.

Global life: can you tell me where your new series of inspiration comes from?

UMA Wang: Bohemia. Hybridity and integration of different cultures. Mix and match confidently and seemingly unrelated or even unrelated things. Cashmere knitted and traditional pattern prints of northwest minorities. Inspired by the intention of making old men's coats and wide cloaks in the movie Sherlock Holmes.

Global life: what is the goal in the short term?

UMA Wang: continue to explore the domestic clothing market, and there are two shops to open in Beijing next.

Global life: are there any designers who are particularly fond of love?

UMA Wang: personally, I like Rick Owens very much, and I like his strong Goethe style minimalism.

Global life: what is your usual personal dress style?

UMA Wang: I usually dress casually, but I pay great attention to details and texture.

And I like to wear a hat and a lot of hats.

Global life: now Chinese American design power is very important in the international fashion industry. How do you view the influence of Chinese power on international fashion?

UMA Wang: unlike Chinese factories in the past, China's design is gradually pforming into the dominant force in international design. We have the ability and possibility to lead the international fashion industry.

Gold

Born in Jiaxing, living in Shanghai, visiting the Paris fashion guild in Paris, France, 2009 and designer Sun Junliang set up the Lesjin fashion brand. The works have been published in Surface, Vogue Homme Japan and other magazines.

Global life: How did you get on the path of designers?

Jin Chongyu: my father was an art teacher, and later he was engaged in publishing. Since my childhood, besides academic books, I am a large number of fashion magazines, because they are especially interested in beautiful things because of their fine art foundation.

This may be an important reason why I embark on the fashion design industry.

And the time I studied in Paris made me more sure of the importance of fashion to me.

Global life: talk about your brand and design style.

Jin Chongyu: lesjin is a clothing brand that I worked with designer Sun Junliang and les. The lesjin brand was founded in 2009, base Shanghai.

Although he is not a designer in the field of clothing, his design ideas and ways of thinking often inspire me to create.

I have always advocated that my clothing should not be based on a series of standards for seasons. Clothing is not limited by time. The new season's women's clothing also uses different fabric materials contrast and body contour reshaping to reflect the rich life characteristics of women.

Global life: where did the inspiration come from?

Jin Chongyu: every detail of life will inspire my creative inspiration. It may be a flavor or a bread. I don't know where my inspiration comes from. It may be a complex of many sensory products.

I think it is a kind of thing that strongly exists in the heart but can not be explained. I just use my expression to show my feelings.

Global life: custom or mass production, which one do you value more?

Jin Chongyu: This is actually the difference between a designer and a commercial designer. A designer can be a successful commercial designer in a sense. There are such examples in the fashion world. But I think a mature business designer may be hard to return to the creative idea he wants to express over time. I try to get away from it, because I do not want to limit my creativity, but I need to survive.

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Global life: how to spend creative time and bad state?

Jin Chongyu: listening to music is my best way to open up my mind. I like the way to express emotions in music. Melody and lyrics will produce much more chemical reactions than the two.

World life: what is your ideal personal life?

Jin Chongyu: the ideal state of life is always changing. I only hope that every step I walk will have a satisfactory result, and my life will also become my ideal state.

Ye's

Independent fashion designer, graduated from Tianjin Academy of Fine Arts, wants to be a poet.

The personal brand YE 'S is respectively designed in the boutiques boutiques' SURFIN' BIRD and the famous brand shop.

"Universal life": you learn fashion design background, learning design is generally difficult to keep going, how do you persist?

Are you interested in your own interests?

Ye Qian: costume design was my first time and became a means of livelihood in recent years.

How to persist?

Is always insisting.

Global life: where is your greatest inspiration?

Ye Qian: the biggest inspiration comes from what happens everyday in society.

Some friends joked that I was the first and only designer in China to find inspiration from the news.

Strong indignation and dissatisfaction with this society are my endless inspiration.

Global life: what does clothing mean to you?

Ye Qian: clothing means a direct means of expressing my thoughts and opinions to me. For mountains, mountains and water are the secrets of water.

At some point, it can be nothing.

Global life: what's the biggest difficulty facing you now in designing at home?

Ye Qian: the biggest problem is whether the clothing series is good or not.

My position on the YE 'S brand is a customer group with artistic temperament and awareness.

At present, most of the customers who consume YE 'S brand creative clothing are some entertainers, which is still very far from my original intention.

I hope to provide a new alternative for more fashion lovers in China.

World life: what do you like to do in your spare time?

Ye Qian: watching opera, lyrics, micro-blog, watching horror films, listening to electronic music, traveling and so on.

World life: what is your biggest concern in fashion in 2009?

Ye Qian: overseas is the bad taste of LADY GAGA, which challenges the aesthetic limit of the world. In China, the famous media man Hong Huang wants to open a Chinese designer selection shop in Beijing Sanlitun Village Brand New China.

My personal designer brand YE 'S will also be there.

Qiu Hao

The top student of central Saint Martin Institute of art and design, London, was trained in STUDIO of Alexeder McQueen, winner of the 2008 Woolmark prize.

The personal brand "QiuHao" has been regarded as an outstanding representative of the Chinese fashion industry.

Global life: making designs in China, why did you choose Shanghai?

Qiu Hao: choosing in Shanghai is actually not a deliberate choice. There are many factors associated with you, because your family and friends are in Shanghai.

Shanghai is relatively easy to accept new things.

Global life: do you have "Chinese elements" in your design?

Qiu Hao: I am a Chinese educated who accept Chinese and western education. In my design, I will naturally be influenced by two cultures.

But I hope that the Chinese elements I designed are sensible, not visible.

World life: which of you are most interested in the current hot issues?

Qiu Hao: environmental protection.

The concept of environmental protection is a way of life and lifestyle, instead of making another pile of rubbish through environmental gimmicks, such as green T-shirts and environmental bags.

I think we can spend more energy and money to develop environmental protection fabrics or recycle the existing fabrics and apply them to clothing. Of course, it will undoubtedly increase the cost of clothing, first of all, the change of ideology on consumption.

Global life: do you like collecting old things and talking about your experience?

Qiu Hao: I like to collect some weird things, from mung bean antique price tags to weird dolls, from the peculiar labels of the butcher's shop to the fat antique people's table, and those objects with historical and indefinite ages, as if they came from another space.

When I was studying abroad in England, I had to go to different flee market every week, aimlessly and unconsciously, and then I bought some things unconsciously. The reason that these objects attracted me was unspeakable.

Global life: in 2008, you won the Woolmark award. This competition requires the use of less than 50% wool to design entries. What do you think about the relationship between materials and design?

Qiu Hao: material and design are like chicken laying eggs, eggs hatching chicken relationship, design needs support from materials to achieve, otherwise materials will give you inspiration and inspire your design.

For me, more materials are available first, because the available materials and available materials are relatively limited. First, materials are available to use different materials to achieve different designs.

Use the most limited material and the simplest technology to make different designs.