Zibo's Dyeing House: Inheritance And Innovation

　 TV drama dye house "," Dry wharf "Hot" not only opened the past few centuries of smoke and dust in ancient Zibo, Zhoucun, Zibo, but also made Zibo dyeing house. silk The group unveiled the mysterious veil and emerged in front of us.

It is a practical significance for the textile industry at the stage of great change.

　 Nirvana or transmutation

　 Common problems of ancient civilization

Speaking of silk in this world, people will think of China, while speaking of silk in China, people will think of Jiangsu and Zhejiang. As we know, in the Ming and Qing Dynasties, the production and trade of silk were very common in China, and Zhoucun in Zibo, Shandong, was once a major city for the production and circulation of silk in China.

According to the local historical records, in the Ming and Qing Dynasties, Zhoucun's silk industry reached its peak. "Sangzhi's garden field, every household is raising silkworms, stepping up to smell the machines and weaving silk and satin". "Ji'nan, Weifang County, Japan is not as good as Zhoucun, but one hour" is the portrayal of the production and circulation of Zhoucun silk industry.

Silk is China's national treasure, which can be confirmed from the great influence of the Chinese Silk Road on human civilization. In recent years, many experts in the industry are calling for the restoration of the national treasure status of Chinese silk products. Nowadays, apart from the works of hand Seiko, the technical level of European and Japanese silk products has surpassed that of China, making our long history of silk production big country seem to be somewhat undeserved. Once upon a time, silk fell from the status of national treasure, from high-grade handicrafts to stalls. In the market of tourist products in Suzhou and Hangzhou, a silk garment is only sold for tens of dollars. In Beijing's Ya Po Road stalls, there are more silk textiles.

There is one person who is worried about this. He is Chen Lu, chairman and general manager of Zibo Da Lin Fang silk group. He said this phenomenon is to make the queen of the fiber as a rough girl, and is indignant about it.

Chen Lu and his team have been fighting for decades in this industry, and they have seen their differences in the research of products from developed countries such as Europe and Japan. The current situation of Chinese silk is a result of a gradual historical process. It is also a process of slow progress, lack of innovation and accumulation of difficulties in the technological aspect of the industry.

"China's silk products have accumulated too many ancient civilization and historical values, nirvana or transmutation, which is a common problem of ancient civilization." Chen Lu said, "the essence of historical precipitation is too much, which is a constraint to innovation. The failure of our inheritance is only one aspect; on the other hand, how to adapt to the development of the times and accomplish the innovation of our generation on a traditional basis is a major issue. Chen Lu believes that in order to really realize the revitalization of the silk industry, we must change the concept, design, equipment, technology, management, and even the mechanism and system of enterprises, and almost all related industries. This is a long and arduous process.

　　 Inheritance and innovation

　　 Constructing quality consciousness

As a senior employee in the silk industry, Chen Lu has collected silk products as his personal hobby for many years. In the interview, the reporter was lucky to see some of his collections, some of which were embroidered on silk. His works showed the shades of Chinese calligraphy, the fluency and frustration of strokes and even the flying white of the Chinese painting. Some of them were embroidery and weaving works of traditional Chinese painting during the Qing Dynasty and the Republic of China.

Chen Lu's personal interest is closely related to his career. He believes that the eyes and cultural details of a business owner are crucial to the development of an enterprise. Unlike other textile industries, the heritage of Chinese civilization on silk products is more direct and important. It is hard to imagine that a person who has no vision in culture and art and who is indifferent to the ancient and splendid silk culture can design and produce silk products. At present, the difficulties in the silk industry are also arising. In modern production, bosses attach great importance to equipment, technology and technology. The most consideration is cost and benefit. How many bosses are willing to spend their energy and energy on product research and design? How many bosses can appreciate, understand and experience silk themselves to a first-class level?

According to Chen Lu, the color is like a dream, like a rainbow, the warm and slippery texture on the handle, the elegant and elegant fabric, the most intuitive and superficial features of the silk products, and the clever creativity that can be expressed in various processing techniques and artistic forms between the soft and fine texture is the essence of the silk fabric.

The same is a square scarf, the dyeing house uses the accuracy of modern printing to make the finery and finery of the pattern the ultimate. It is also a silk garment. The dyeing house uses modern printing technology to show a gradual transition of soft color. It can also make use of the large circulation or non circulation of the flower pattern to make the printing fabric or clothing reach or even exceed the manual hand drawing effect.

It is also a real silk home textile product. The big dyeing house can specially design and produce silk like silk spun yarn with thin silk like cicada, which is used for loading silk, or as a base liner for embroidery, making the home textile product of Da dyeing house a real one hundred percent pure silk product.

"The original silk is brocade, and flowers are embroidered." Using the profound historical precipitation of silk culture and making use of all modern technological means to make our products a fine collection of technology and art, this is the focus of our work. Using digital printing technology and modern embroidery technology, Tai dye Fang has made expensive paintings and calligraphy products in China's past dynasties, which are in short supply in the market.

Seeing the products produced by the big dyeing house, we know what is the level of modern Chinese silk products, and understand why Europe, America, Japan and South Korea and Southeast Asian markets are scramble for big dyeing houses. Why do they want to expand their domestic sales, and the proportion of exports has always been as high as 80%, and also maintained a 30% growth rate in the financial crisis.

Chen Jie, a screenwriter and famous writer of the TV drama "Da dye Fang", has written specially written words to express his appreciation for the silk products of the great dyeing house silk group: "ancient Zhoucun is called mausoleum, but the right time is right. The creation of the magic machine is like an endless stream of paintings. Or hanging in the hall, after the snow, tea is happy and self satisfied; or to give friends, look at the leisurely read, it is all the top quality.

The author's praise is wonderful, but the reporter believes that Chen Lu's "modern silk line production of affordable silk products that people can afford and use should also adhere to the quality consciousness of the queen of fiber", which is the essence of the culture of the dyeing house.

It is not only the success of Da dyeing house, but also the great meaning of revitalizing the ancient silk industry.