The Famous Designers Poured Fashion Elements Into Fashion Week.

In recent years, with more and more Chinese women entering the major international fashion week and taking the Chinese style clothes abroad, the Chinese wind has attracted more and more attention all over the world. In the first half of this year, the theme of the fashion exhibition of the New York Metropolitan Museum is: "China: Mirror flower and water moon".

Once again, it has attracted attention in the field of culture and art with an independent style. One hand planning and organizing the exhibition is VOGUE Wintour editor in chief Anna Wintour, the prototype of the devil in the devil wears PRADA.

The significance of this woman to the global fashion industry and the media industry is no longer necessary.

It wasn't until a few years ago that the "devil's head" came to China for the first time. (to be honest, from her visit to China, I didn't think she was very interested in China). It was very unusual for her to plan a fashion exhibition with "Chinese style" theme, which meant that in the western world, the Chinese style and Chinese element fashion that had always appeared in the "exotic atmosphere" had an opportunity to stand on the stage as an independent gesture.

Anna Wintour is dressed in this year's "China Wind" theme Met Ball.

And this exhibition is a little bit harsh to say "good luck" to China.

This is also a signal.

Soon, the signal was the three largest in Europe.

London, Milan and Paris got the response - just a DOLCE&GABBANA's 2016 spring and summer men's wear, and a hundred men's clothes only serve a theme, that is, "Chinese elements".

The designer, the two person group, Domenico Dolce and Stefano Gabbana, put the Italy Sicily style newly established in recent years with Chinese elements into a melting pot, and cooked a big hog of men's clothing, which is neither east nor west, but also East and West.

If the pattern of peacock on the first suit of the first set is mistaken, it is the picture of Southeast Asian style, so the second sets of Tang costume designs with the mouth opening design clearly use the graphic patterns of ancient Chinese palace architecture, and the brand's heart salute to the first power consuming country is clear.

You can see more in the next hundred bundles. Besides the peacock patterns, the folk patterns such as dragon and Phoenix totem and swallow are the most Chinese folk customs.

And the form of embroidery involved in the design of Italian style suit as a prototype.

So salute to my great Chinese civilization is the luxury carrier's brand LOUIS VUITTON. The most striking thing is that this series uses a lot of red - "

"Always" is an important component of Chinese style.

Unlike western red, Chinese red has a strong meaning of festivals.

In the western world, although the image of the cardinal in the history of Christianity is also very cordial, but the Gothic culture developed from Christianity also has a lot of red, and this kind of red is usually combined with black to become a symbol of blood and death.

The red color of LOUIS VUITON is of course Chinese red, because it does not appear with black, and on red satin, the designer Kim Jones is very clear about using hand embroidered patterns such as Red Crowned Crane, bamboo and monkey.

However, in another design inspired by Oriental elements, the designer of Thom Browne, the 2016 spring and summer menswear brand of the same brand, has displayed the theme of Japanese and wind design.

If the Japanese style kimono is not explicitly adopted in the series, you may not be able to tell whether it is Chinese or Japanese in some single products with red crowned cranes as modeling elements.

This vague concept is very common among Western designers. For example, John Galliano, a talented designer who once served as creative director of DIOR women's clothing, has always had a strong interest in Oriental elements. In his designs inspired by oriental aesthetics, she often sees the blending of cultural symbols between Japan and two countries in China. In other words, it doesn't seem like a big deal. After all, we often fail to distinguish the Rococo style of France from the Rococo style of Italy.

However, as an independent style and genre, the Chinese style must be clearly defined in fashion language. Chinese red and Dragon Phoenix totem is the most well-known Chinese element. The theme of Mei Lan Zhu Ju and the Zhongshan style dress developed by the Chinese cheongsam and modern times must also be a necessary complement to the concept of the Chinese wind.

Looking back at the local design that we produced in the 90s of the last century, the design of painting and painting with ink and wash elements on the elegant white clothes is also a scene of Chinese wind, but it is indeed a terrible memory.